In 1960, the
future of Japan was rosy. Nothing was
more important than developing the plans for the future of the city. Japan was
utopia. The metabolists dreamed more than ever that architecture could change
society. But Isozaki didn’t feel that way. For him, ruins were the inevitable
fate of all cities. Hiroshima was still burning in front of his eyes; he could
never escape it. “I could not get away from the past when I saw cities, great
complex urban structures destroyed in an instant, transformed into mountains of
rubble and trash.” For him, future lay in ruins.
With this image
Isozaki was deeply critizing utopia. Utopia was misunderstood because it only
relied in the absolute time. Usually facts of the past are arranged along a
single axis, but we can run our imagination along the line of the past also.
Japanese utopia forgot the imaginative past; focused only in the future, it
forgot that past has the power to stimulate fantasies, visions, reveries…”Ruins
lie in the future of our city, and the future city itself will lie in ruins”.
The future formed amidst the ruins.
Architects we
should never forget temporality as a pre-condition. I try to keep in my mind
that, at the very end, we are designing ruins. Time has always fascinated me. I
started this term posting John Soane’s work in ruins and I wanted to end this
term with Arata Isozaki. In my thesis, I will get into depth into the issues of
time and memory. I will keep you posted!
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