Serpentine Pavilion 2014 |
Since 2000 each year in the Royal Park of Kensington Gardens in central London well know architects are designing pavilions: Zaha Hadid, Daniel Libeskind, Toyo Ito, Oscar Niemeyer, Álvaro Siza and Eduardo Souto de Moura, Koolhaas with Cecil Balmond and Arup, Zaha Hadid and Patrik Schumacher, Olafur Eliasson, Cecil Balmond, and Kjetil Thorsen, Gehry, SANAA, Nouvel, Peter Zumthor, Ai Weiwei and Herzog & de Meuron and Sou Fujimoto.
This year pavilion has been
designed by the least well know Chilean architect Smiljan Radic and critics
wrote that probably is the best pavilion that has been designed until now. It
is a cylindrical, semi-transparent shell made from fiberglass and stands up in
large stones. The pavilion seems like an ancient monument from Stone Age that
has been discovered in the middle of the park. Ellis Woodman wrote: ’Seeming to belong at once to a world of
science fiction and to a primordial past’. In some parts the fiberglass
shell is cut out and therefore it seems like some parts have been destroyed
throughout the years.
This pavilion combines future and
past, new and old, in an approach that could be called emotional or even
romantic. It makes me develop my thought around the archetype of construction,
the reason behind designing and building, the rationale behind the shells. Two
questions rise in the labyrinth of concepts: is architecture developed linearly
all these years? Should we delve into the past and start designing all over
again from the beginning?
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